Amor Estranho Amor / Love Strange Love. 1982. FULL-HD.

PT. Na produção de 1982, de 17 anos  Xuxa Meneghel interpreta Tamara, uma menina de 15 anos que foi vendida para um prostíbulo. Em uma das cenas, ela tem uma relação sexual com um garoto de 12 anos, interpretado por Marcelo Ribeiro.
Acabou sendo usado na tentativa de desconstruir a reputação de Xuxa. Após sua ascensão à fama como apresentadora infantil, a obra ficou “lembrada” como um filme erótico - mas quem assistir verá uma história bem mais complexa, em que o sexo não é meramente ilustrativo, com atores como Tarcísio Meira, Vera Fischer, Íris Bruzzi (e Rubens Ewald Filho).
Ela acabou se arrependendo de ter participado da produção. De 1991 a 2018, Xuxa conseguiu vetar a exibição de Amor Estranho Amor, pagando o equivalente a R$ 345 mil por ano pelos direitos do longa. Ela também processou pessoas que a acusaram de pedofilia por participação no filme.

A pureza e inocência de uma criança, sendo tirada em um lugar onde, prostituição, troca de favores políticos e homens de uma alta classe realizam seus desejos se encontram. É brilhante como Khouri vai aos poucos mudando essa perspectiva de Hugo, que inicialmente se sente assustado pelo lugar, a cena onde um plano Plongée das prostitutas mandando beijos para o Hugo retrata muito bem essa opressão inicial, que aos poucos vai se transformando em curiosidade e desejo. Engraçado ver como Hugo não só desenvolve esses desejos sexuais na casa enquanto criança, mas vira um politico rico quando adulto, igual aos que visitavam a casa e usufruíam das moças que ali trabalhavam.

EN. Love Strange Love (Portuguese: Amor Estranho Amor) is a 1982 Brazilian erotic crime drama film written and directed by Walter Hugo Khouri. The film stars Vera Fischer, Tarcísio Meira and Xuxa Meneghel. Fischer won the Best Actress Award at the 15th Festival de Brasília as well as the Air France Award.
Love Strange Love caused some controversy due to the participation of Xuxa in the cast. In an interview, Xuxa explained that she was between 17 and 19 years old when the film was made. In another interview Xuxa comments that the film was made in 1979. Her character has seхual relations with a boy of 12 years, interpreted by the actor Marcelo Ribeiro.
In the end, she regretted taking part in the production. From 1991 to 2018, Xuxa managed to veto the screening of Amor Estranho Amor, paying R $ 345,000 a year for the rights to this feature film. She also sued people who accused her of pedophilia for her part in the film.
In 2021, it was shown on Brazilian television, which caused a lot of resonance.
Uncut version 137 min.
Director: Walter Hugo Khouri.
Cast: Vera Fischer, Tarcisio Meira, Xuxa Meneghel, Íris Bruzzi, Walter Forster, Marcelo Ribeiro, Mauro Mendonça, Otávio Augusto, Matilde Mastrangi, José Miziara, Vanessa Alves, Jairo Arco e Flexa.
Brazil, 1982.
Language: English, Portuguese, Russian.
1920x1080 FULL-HD
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Amor Estranho Amor / Love Strange Love. 1982. FULL-HD

Schlüsselloch-Report / Bettgeheimnisse junger Lippen / The Intimate Teenagers. 1973. DVD.

DE. Schlüsselloch-Report (auch bekannt als Bettgeheimnisse junger Lippen) ist ein deutscher Film des Regisseurs Walter Boos aus dem Jahr 1973. Er ist eine Variante der erfolgreicheren Filmreihe Schulmädchen-Report. 
DE. In sechs Episoden wird der geneigte Betrachter über so einiges aufgeklärt, was ihm bisher vermutlich verborgen war: was Hausfrauen so treiben, wenn ihre Männer auf der Arbeit sind, was Männer und Frauen so treiben, wenn sie auf der Arbeit sind, wie toll man es in München treibt, wie toll man es auf St. Pauli treibt, wie toll es nicht mehr ganz taufrische Frühreife treiben, was die Tante und zwei Cousinen mit einem Jungen aus Iserlohn treiben und so einiges mehr.
1. Zwei Cousinen und deren Tante verführen einen jungen Mann.
2. Ein Mann, der sich auf einem Campingplatz als Inspektor des 3. Gesundheitsministeriums ausgibt und die Urlauberinnen inspiziert.
3. Ein Mann, der im Hotel eine Baronin verführt.
4. Zwei Stotterer, die ein Schulmädchen verführen wollen.
5. Ein Mann und seine Freundin, die im Hotel Teil des Zimmerservice sind, wollen Hotelgästen die Zeit gegen Geld versüßen.
6. Ein Mädchen, das für ihren studierenden Freund als Prostituierte Geld verdient.
EN. In six episodes, the sexual adventures of people who feel unobserved in their quiet rooms:
1. Twin sisters, Christa and Astrid and their mother, Doris seduce her young nephew.
2. Friedrich poses as an inspector of the Ministry of Health at a campsite and inspects female holidaymakers in shower.
3. A man seduces baroness Betty von Kramer in a hotel.
4. Two stutterers want to have a threesome Poldi, a schoolgirl, but she shouldn't be seen by their landlady.
5. Eberhard and his girlfriend, who are part of the room service in the hotel, want to sweeten time for hotel guests.
6. Florentine decides to make money working as a prostitute in a brothel to support her student boyfriend financially. But Dr Peters, one of her clients find her house and tries to rape her.

Director: Walter Boos.
Cast: Puppa Armbruster, Mariama Barry, Minouche Bary, Alexandra Bogojevic, Astrid Boner, Mattis Böttcher, Doris Delaas, Elke Deuringer, Marisa Feldy, Walter Feuchtenberg Walter Feuchtenberg, Felix Franchy, Judith Fritsch, Josef Fröhlich, Karin Götz, Wolfgang Jansen
West Germany, 1973.
Language: German.

Format : DVD / 720 x 576

Duration : 1h 14 min
File Size : 5,25 GB

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Schlüsselloch-Report / Bettgeheimnisse junger Lippen / The Intimate Teenagers. 1973.

Frühreifen-Report / 14 and Under / Early awakening report. 1973. DVD.

DE. Frühreifen-Report (auch Der Frühreifen-Report) ist ein deutscher Erotikfilm aus dem Jahr 1973. Er ist nach dem Schulmädchen-Report-Schema entstanden und kann als Pseudo-Report angesehen werden, da der Wahrheitsgehalt eher gering ist. In neun Episoden werden dem Zuschauer die Erlebnisse einiger frühreifer Jugendlicher geschildert, wobei zwischen den einzelnen Geschichten ein Erzähler auftritt, der davon berichtet, was er als Mitarbeiter der Fürsorge erleben und mit welch teils unfassbaren Fällen er sich beschäftigen musste. Das Filmplakat warb allerdings mit folgenden Worten für den Film: „Ein freimütiger, ungeschminkter Bericht über das Sexleben junger Leute.“
Die 12-jährige Gisela badet gerade, als der Architekt der Mutter vorbeikommt, die noch unterwegs ist. Er will ihre Rückkehr abwarten, nutzt die Gelegenheit jedoch, ins Badezimmer zu kommen und Gisela auch an den intimen Stellen ihres Körpers zu berühren, was ihr scheinbar gefällt. Dieser Fall dient am Schluss des Films als Fallbeispiel dafür, wie Eltern auf frühreife Kinder richtig reagieren sollten.
Die Mutter der elfjährigen Birgit Seifarth hat einen Liebhaber nach dem anderen, wird jedoch immer wieder verlassen. Als sie ihre Tochter dabei beobachtet, wie sie an sich herumspielt, verlangt sie von ihrem Liebhaber, dass er sie züchtigt. Von da ab setzt es jedes Mal eine Tracht Prügel, wenn ihr Galan da ist. Dann jedoch will er mehr und vergreift sich während der Abwesenheit der Mutter an der Kleinen. Um ihn zu behalten, hilft sie dem Kind nicht, sondern erklärt sich einverstanden.
Zwei Mädchen, die noch Jungfrauen sind, wollen ihre Freundin Topsy dabei beobachten, wie sie mit einem Jungen schläft. Als das Pärchen zur Sache kommen will, legt es sich in einen Ameisenhaufen und läuft, den Akt unterbrechend, schimpfend auseinander.
Das Bauernmädchen Resi hat erotische Träume und wird von Peppi dafür bezahlt, dass er sie im Heu lieben darf. Daraus zieht sie die Erkenntnis, dass Männer bereit sind, für gewisse Leistungen zu zahlen, was sie sogleich an dem Ladenbesitzer Hintermoser ausprobiert und in der Folge an weiteren Männern.
EN. This episodic film is a close relative of Wolf Hartwig's schoolgirl report movies, made by the same people, in a similar style, around similar topics. However, this one specifically focuses on the coming-of-age aspects, to an extent that it also touches on delicate issues such as paedophilia.
13-year-old Gisela Hoffmeister (Christine von Stratowa) is home alone and enjoying a bath when family friend and architect Werner/Walter Heimbach drops by for a meeting with Gisela's mother, who is out shopping. Werner is lending a helping hand in the bathroom when Gisela's mother returns home. What should she do?
14-year-old Klaus/Hans is caught shoplifting and forced by Mrs. Jäger (Elke Deuringer), the manager, to sign a confession. She then uses the confession to blackmail young Klaus into having sex with her. One day she demands he do it in her own bed while her husband's away on a job -- until he comes home unannounced, and the quick-witted Mrs. Jager accuses Klaus of being a peeping Tom.
Two young children, Hansi and Rosi, watch their parents, Fritz and Elise (Marie Luise Lusewitz), having sex through the bedroom keyhole. When the two rascals relate what they saw to their parents over breakfast, Fritz flips out and starts slapping the little tykes around.
11 year-old Birgit Seifarth's divorced mother (Marlene Rahn) wants desperately to hold on to her latest boyfriend, Walter, who has become bored with her. When she discovers that her loathsome friend enjoys beating Birgit, she finds every opportunity for him to do so. One day she comes home to find Walter sexually abusing Birgit, but after weighing her options, decides to offer her daughter to Walter in exchange for getting a little something, herself. This disturbing vignette is cut from the English language version.
Edgar, a spoiled rich teen, lusts after his sexy new maid, Erna/Annette (Marisa Feldy). He eventually forces her to having sex with him -- after which she falls madly in love with the wretched boy.
Two naked girls (Sonja Embriz - sandy hair) hide in the woods, waiting to see if their friend Topsy (Ulrike Butz) will show up with her sex partner, since they have a bet as to whether she'll take his virginity. Topsy arrives with the nerdy 15 year-old "ball of fire", and they start going at it -- unaware that they're on top of an anthill.
To realize her "healthy adolescent dreams", pigtailed milkmaid Resi/Rosie Huber (Sonja Jeannine) sells herself for 20 Marks a pop, blows a shopkeeper for a dress, and eventually accumulates a sufficient nest egg to leave the farm. When the police raid an elderly playboy's estate and find the 13 year-old Resi among the other naked young things, it's off to the reformatory for our slutty little milkmaid.

 Directors: Ernst Hofbauer.
Cast: Harald Baerow, Hans Billian, Ulrike Butz, Elke Deuringer, Sonja Embriz, Marisa Feldy, Judith Fritsch, Enzi Fuchs, Peter Hamm, Sonja, Jeannine, Heinz Kopitz, Carina Kreisch, Marie Luise Lusewitz, Ralph Martens, Rosl Mayr
West Germany, 1973.
Language: German.

Format : DVD9 / 720 x 576

Duration : 1h 23 min
File Size : 6,18 GB

Download DVD Frühreifen-Report / 14 and Under / Early awakening report. 1973:
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 DVDRip:

Language: German.

Subtitles: English.

Format : MKV / 720 x 464

Duration : 1h 23 min
File Size : 1,27 GB

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Frühreifen-Report / 14 and Under / Early awakening report. 1973.

Jungfrauen-Report / Virgin Report. 1972. DVD.

 

DE. Dies ist einer der seltsamsten Filme von Franco. Er scheint verschiedene Genres zu kombinieren, in die er sich bisher nur vertieft hat. Am offensichtlichsten ist dies der Aufstieg des populären deutschen Films The Schulmadchen Report. Franco verwendet mindestens zwei junge Schauspielerinnen aus der Serie und denselben Mann (und dieselbe Frau) als Füller für Straßeninterviews. Interviews sind noch offensichtlicher falsch und (absichtlich?) Komisch als gewöhnlich - zum Beispiel geht der Interviewer herum und fragt junge Frauen, ob sie Jungfrauen sind.
EN. Part documentary, part mockumentary, part sexploitation, all Jess Franco. Tucked in between stock footage is a quasi-documentary about the loss of sexual innocence. Starting in the Garden of Eden we are taken on a voyage around the world that covers various rites of passage and cultures deflowering of the virgin. The film sits precariously in a mixture of genres, but sits comfortly in the mondo genre best. Told in a series of vignettes you see everything ranging from native stock footage inserts to footage shot to titillate the masses. Very tongue in cheek, it is not this a serious study. Good or bad is irrelevant when talking about a Franco film. Franco mixes the good, the bad, the beautiful and the ugly…usually in the same film. This one appears to be rather obscure and its' occasional funny moment will most likely appeal to Francophiles everywhere.
Directors: Jesús Franco.
Cast: Puppa Armbruster, Mariama Barry, Minouche Bary, Alexandra Bogojevic, Astrid Boner, Mattis Böttcher, Doris Delaas, Elke Deuringer, Marisa Feldy, Walter Feuchtenberg, Walter Feuchtenberg, Felix Franchy, Judith Fritsch, Josef Fröhlich, Karin Götz, Wolfgang Jansen
West Germany, 1972.
Language: German.
The archive contains two DVD disks.
DVD 1:  
Format : 720x576 
Duration : 1h 06 min
DVD 2: extended version with director's comments
Format : 720x576
Duration : 1h 17 min
File Size : 7,55 GB 
 Download DVD Jungfrauen-Report / Virgin Report. 1972:

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Part 3

Jungfrauen-Report / Virgin Report. 1972.

 

 

9 Songs. 2004. Uncut version. FULL-HD.

9 Songs is a 2004 British art romantic drama film written and directed by Michael Winterbottom. The title refers to the nine songs played by eight different rock bands that complement the story of the film.
It was controversial upon original release due to its sexual content, which included unsimulated footage of the two leads, Kieran O'Brien and Margo Stilley, having sexual intercourse and performing oral sex as well as a scene of ejaculation. The film was showcased at the Cannes Film Festival.

Show rock concert, show sex, show icy wastes of Antarctica. Repeat eight times. That's essentially the structure of Michael Winterbottom's "9 Songs," a movie that marks an important director's attempt to deal with explicit sex.
The story involves a British scientist named Matt (Kieran O'Brien) and an American named Lisa (Margo Stilley), who is visiting London for jobs and studying. They meet at a rock concert in Brixton, go back to his place, and have sex. It is real sex. Real, in the sense that the actors are actually doing what they seem to be doing, and real, in the sense that instead of the counterfeit moaning and panting of pornography, there is the silence of concentration and the occasional music of delight.
Altogether, they go to nine concerts and hear nine songs, but this is not a concert film and the performers are mostly seen in long shot, over the heads of the crowd, which is indeed the way most of us see rock concerts.
Winterbottom seems deliberately reluctant to turn up the visual heat; he accepts shadows and obscurities and creates a certain confusion (in the words of the limerick) about who is doing what and with which and to whom. The occasional shots of genital areas are not underlined but simply occur in the normal course of events.
They talk as two people might talk, who have fallen into an absorbing sexual relationship but are not necessarily planning a lifetime together. Matt likes her more than she likes him. There's a revelation late in the film, concerning the flat where she lives, that is kind of a stunner. What Winterbottom is charting is the progress of sex in the absence of fascination; if two people are not excited by who they are outside of sex, there's a law of diminishing returns in bed. Yes, they try to inspire themselves with blindfolds and bondage, but the more you're playing games, the less you're playing with each other. Their first few sexual encounters have the intricacy and mystery of great tabletop magic; by the end, they're making elephants disappear but they know it's just a trick.
The Antarctic footage is mostly of limitless icy wastes. Matt's narration observes that a subzero research station causes simultaneous claustrophobia and agoraphobia -- "like a couple in bed." Yes. They're afraid to be trapped, and afraid to leave. There is some truth here.
The sex scenes betray the phoniness of commercial pornography; when the Adult Film Awards give a prize for Best Acting, they're ridiculed, but after seeing this film you'll have to admit the hard-core performers are acting, all right; "9 Songs" observes the way real people play and touch and try things out, and make little comments and have surprised reactions.
That said, "9 Songs" is more interesting to write about than to see. Its minimalism is admirable as an experiment, but monotonous as an experience. To the degree that O'Brien and Stilley exchange dialogue on screen and inhabit characters, they suggest that a full-blown movie about these characters might be intriguing. What Winterbottom does in part I'd like to see him do in whole: Show a relationship in which two reasonably intelligent and sensitive adults pick each other up for sex, enjoy it, repeat it, and then have to decide if they want to take the relationship to the next level.
In many movies, the first sexual encounter is earth-shaking, and then the lucky couple is magically in love forever -- or at least until the story declares otherwise. In real life, sex is easy but love is hard. Sex is possible with someone you don't know. Love is not. In a way, "9 Songs" is about the gradual realization by Lisa and, more reluctantly, by Matt, that there is not going to be any love and that the sex is therefore going to become kind of sad.
The nine songs:
"Whatever Happened to My Rock and Roll", Black Rebel Motorcycle Club
"C'mon, C'mon", The Von Bondies
"Fallen Angel", Elbow
"Movin' on Up", Primal Scream
"You Were the Last High", The Dandy Warhols
"Slow Life", Super Furry Animals
"Jacqueline", Franz Ferdinand
"Debbie", Michael Nyman
"Love Burns", Black Rebel Motorcycle Club

Director: Michael Winterbottom.
Cast: Kieran O'Brien, Margo Stilley.
UK, 2004.
Language: English.
Format : MP4 / 1920x1080 FULL-HD
Duration : 1h 10 min
File Size : 1,06 GB
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Language: English, Russian.
Subtitles: English, Russian.
Format : MKV / 1920x1080 FULL-HD
Duration : 1h 7 min
File Size : 4,58 GB

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9 Songs. 2004. Uncut version. FULL-HD.

Trasgredire / Tra(sgre)dire / Cheeky. 2000. HD.

 

IT. Tra(sgre)dire è un film erotico di Tinto Brass del 2000.
Anche in questo film c'è il cameo del regista, in questo caso come proprietario di un negozio fotografico.
Carla, ventenne veneziana, entra in un'agenzia immobiliare a Londra: cerca un appartamento da affittare per Matteo, lo studente di cui è innamorata e che al più presto la raggiungerà nella capitale britannica. Moira, la titolare dell'agenzia, colpita dall'avvenenza di Carla, la invita a casa propria. Carla tace tutto a Matteo che, preso da dubbi e gelosie, le dice per telefono che intende rinunciare al viaggio a Londra. Carla, molto delusa, per reazione accetta anche la corte di Mario, l'ex marito di Moira, nel corso di una festa del tutto particolare.
A Venezia Matteo però non resiste e parte senza dire niente. Quando di sorpresa raggiunge Carla a Londra, sfoga la sua rabbia ma alla fine, trascinato da lei e dalle persone che Carla ha conosciuto, capisce che, se il saperla con un altro lo fa impazzire di gelosia, proprio la gelosia lo rende folle di desiderio per lei. Così Matteo chiede a Carla di giurare che gli mentirà sempre.
EN. Tra(sgre)dire (released as Cheeky in English) is a 2000 sex comedy directed by Tinto Brass, with Yuliya Mayarchuk in the lead role. Certain parallelisms are drawn between Nerosubianco (1969), another Tinto Brass film set in London.
The Italian title is a play on the verbs trasgredire (to transgress) and tradire (to betray).
It's a typical Tinto Brass soft-porn, but a slightly polished one.
The protagonist is a strong and sexually curious young woman who explores herself and her sexuality creating a boiling pot of lust in every location she crosses. She is looking for an apartment to allow her boyfriend Matteo (Jarno Berardi) to join her there. The real estate agent, Moira (Francesca Nunzi), who is bisexual, rents her a loft with a view of the Thames, with "intimate conditions." When the hot-tempered, jealous Matteo finds a nude picture of Carla and letters from her French ex-lover Bernard (Mauro Lorenz), Carla and Matteo have a row on the telephone. Angry at Matteo, Carla sleeps with Moira. Matteo, desperate, comes to London, where he finds Moira naked in Carla's apartment. He confronts Carla about all her past infidelities and refuses her offer to perform fellatio on him before leaving. After a walk in the park, where he observes much sexual activity, he changes his mind. Carla shows up with a written account of her infidelities, but Matteo declares he no longer needs to know.
As a trademark of Brass' films, it features lots of crotch shots, voyeurism, plenty of „up-skirt“ and suggestive scenarios and posterior views of women's rears. Also, Brass brings a richness of color and imagery seldom seen in the soft-core arena. The infamous beach sex scene is beautifully shot and is both graphic and artistic at the same time.
Director: Tinto Brass.
Cast: Yuliya Mayarchuk, Jarno Berardi, Francesca Nunzi, Max Parodi, Mauro Lorenz.
Italy, 2000.
Language: Italy, Russian.
Subtitles: Russian.
Format : MKV / 1280x720 HD
Duration : 1h 30 min
File Size : 3,66 GB 
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Schulmädchen-Report 13. Vergiss beim Sex die Liebe nicht. / Schoolgirl Report Vol. 13: Don't Forget Love During Sex. 1980.

 

DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.

Schulmädchen-Report 13. Vergiss beim Sex die Liebe nicht. / Schoolgirl Report Vol. 13: Don't Forget Love During Sex. 1980.
DE. Die Proben für das Theaterstück "Romeo und Julia" lösen bei einer Gruppe von Schülern leidenschaftliche Diskussionen über Liebe und Sex aus. In mehreren, teils dramatischen, teils lustigen Episoden gleitet die Diskussion in praktische Beispiele über: Die hübsche Irina wird beim Klauen in einer Boutique erwischt. Aus Angst vor einer Anzeige, lässt sie sich zu erotischen Gefälligkeiten überreden. Ein anderer Schüler prahlt mit seinen sexuellen Erfolgen und blamiert sich durch eine Wette bis auf die Knochen. Für Erheiterung sorgen vor allem die ersten Versuche dreier Schulmädchen in Sachen körperlicher Liebe mit ebenso unerfahrenen Jungs.
EN. The framing story is the rehearsal for a high school production of "Romeo and Juliet" in which teacher Dr. Burkhard (Tonio von der Meden, SEX IN THE OFFICE) feels that his actors do not comprehend the dialogue they are reciting. Although the play is by Shakespeare, Burkhard feels the students should relate very much to it since the characters are their age and experienced the same conflicts between earthiness and idealism when it came to love and sex. The students are much more jaded when it comes to the question of whether sex can exist without love (or vice versa), or at least they think so. Peter tells of a "true crime" story he read in the newspaper about a sixteen year old Greek immigrant Irina (Katja Bienert, THE NAKED SUPER WITCHES OF THE RIO AMORE) goaded into petty theft by her classmates. When she is caught by shop owner Kurt with a pair of black panties, he makes her model them before having her sign an admission of guilt and forcing her to have sex with him, holding the admission over her head. When boyfriend Nikos – with whom she has not had sex – discovers that she is not a virgin and walks out on her (comparing a dishonored girl to a mashed-up face after a car accident), Irina heads to Kurt's apartment to end things once and for all. The class discusses the events from the perspectives of Irina and the boyfriend, with the actor playing Romeo unsurprisingly sticking up for the boyfriend's concerns about honor; which leads Burkhard to discuss how Romeo's romantic idealism was tempered by Juliet's pragmatism. Although the professor is concerned about the rehearsal getting derailed, Erika offers another "balcony" story in which boastful Achim (Wilfried Schmidt) is challenged to prove his manhood by bedding brainiac Jana – aka "Joan of Arc" or "the iron maiden" or "la pucelle (the maid)" – and produce a pair of her panties as proof of the act. One of the guys blabs to his girlfriend and she tells Jana, who goes to her grandmother for help. When Achim approaches her, she not only reveals that she knows of the bet but is perfectly willing to cooperate, providing panties and a signed statement; but the jokes on him (and so are the panties). The longest of the stories is that of poor Daniela who took to drinking after her father committed suicide to deal with her mother's coldness. That, however, is not when she wound up in a private clinic, she tells her friend Peggy. It all goes back to the arrival of her worldly cousin Stefan (Nico Wolferstetter, Sarno's VEIL OF BLOOD) on a visit from Delhi. It is love at first sight for Daniela, and she no longer feels the need to drink in order to swoon all over him. When she decides to give herself to him, it does not happen the way she imagined and he quickly abandons her after taking her virginity. Daniela turns to the bottle again, and her mother is unable to ignore it any longer. Having tried sex without love, she thinks she can try love with Werner, but he too is only interested in sex. She hits the bottle again, and takes to prostitution to support her habit which leads to a scandal. On a lighter note, we have the tale of relatively plain-looking (though stacked) Rollie (Karin König, TRAIN STATION PICKUPS) who is always doing the dirty work for her older sister and her best friend, which includes acquiring condoms for their appointed assignation with two guys since neither are on the pill. Rollie fails at that and is left to watch the quartet's bicycles while they repair to a barn to get it on. While the four grapple with prickly hay bales, a pair of peeping tourists, and their own inexperience, Rollie may have better luck with a handsome and amorous farmer. Juliet herself (or actress Thea [Renate Langer, SUMMER NIGHT FEVER]) relates the final story of Michael who is in love with French Claudine (Claudia Körber) but does not want to lose steady girlfriend Ingrid (Sylvia Engelmann, LOVE CAMP). He implores his friend Walter to keep Ingrid distracted, but both Ingrid and Claudine are on to his ruse. Claudine's friend Kristel suggests inviting the three to her father's resort in order to discover who Michael loves most. When Michael proves weak-willed, the two girls decide to settle it between themselves.

Directors: Walter Boos.
Cast: Katja Bienert, Manuela Kohlhofer, Sylvia Engelmann, Renate Langer, Gaby Fritz, Rosl Mayr, Margarete Gerber
West Germany, 1980.
Language: German, Russian.
Format : AVI / 688x448

Duration : 1h 24 min
File Size : 1,07 GB  

Download Schulmädchen-Report 13. Vergiss beim Sex die Liebe nicht. / Schoolgirl Report Vol. 13: Don't Forget Love During Sex. 1980.

 

Schulmädchen-Report 12. Junge Mädchen brauchen Liebe. / Schoolgirl Report 12. If Mom Only Knew. 1978.

DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.

Schulmädchen-Report 12. Junge Mädchen brauchen Liebe. / Schoolgirl Report 12. If Mom Only Knew. 1978.
DE. Der 12. und vorletzte Schulmädchenreport widmet sich den Abenteuern junger Mädchen auf der Suche nach Liebe, zeigt aber auch die Folgen falscher Zuneigung, wie bei der Halbwaisen Anne, deren Gefühle für ihren großen Bruder weit über das Erlaubte hinausgehen. Dagegen endet der Ausflug einer Schulklasse, angeregt durch die versteckte Beobachtung eines leidenschaftlichen Paares, als fröhliche Liebesfahrt. Eine Überraschung ganz anderer Art erlebt die junge Gabi, die mit ihre Mutter einen Arzt besucht, der sich - nach dem er seine eigenwillige Untersuchung durchgeführt hat - als Installateur erweist. Diese und weitere Episoden bieten wieder jede Menge pikanter Einsichten in das Liebesleben junger Mädchen!
EN. The five teenage members of the school newspaper have to stay after class to see to the overflow of responses to their query of letters to the editor in response to the question: "In today's world, can a girl still be called a girl?" Each student presents a letter starting with the story of young Anne who has fostered an attraction to her pilot brother Helmut (Claus Tinney, SCHOOLGIRL REPORT 11) – fifteen years her senior – who has raised her since their mother died in childbirth. The seemingly mutual attraction smolders until the pair run into Helmut's stewardess ex-wife making a spectacle of herself with an American pilot. The taboo relationship is consummated, but not without consequences (mirrored by a class discussion of Lord Byron and his Gothic poem "Manfred"). On a lighter note, the story of Barbara (Gudrun Grau) finds her on a class trip to the countryside to observe the animal behavior. She is reluctant to go all the way with boyfriend Heiner (Stefan Wiesehöfer) – her only knowledge of the male form comes from art class – until she and her friends observe a pair of locals mating like rabbits "boar style" in the bushes. This not only gets her hot and bothered but also the entire class who take off to convenient haystacks and bushes to the bewilderment of their chaperones. On a more politically incorrect note, the story of Gabi (Johanna Ebertseder, SEXY WIVES) finds the naïve girl dragged by her mother (Helena Rosenkranz, SCHOOLGIRL REPORT 7) to the doctor's office for her migraines which keep her away from class. Unfortunately, they have come a day early and mistake young plumber Herbert Ballermann (Michel Jacot, SELF SERVICE GIRLS) – playing dress-up in lab coat and spectacles – for the highly recommended Dr. Meisentopf (Wolf Harnisch, SEX IN THE OFFICE); and he's only too happy to inspect her pipes using the highly unorthodox "Ballermann Method". Poor Etta (Ginny Noack, PLAYGIRLS OF MUNICH) can't figure out whether she's a "nymphomaniac or just insanely horny". With her father in rehab since the suicide of her prodigy brother (the handheld POV discovery of the body looks like something out of a giallo), the sight of her mother fooling around with various strange men sends Etta into a frenzy of masturbation until she hooks up with rich classmate Paul (Sascha Atzenbeck, SO DEEP, SO GOOD) who turns her on to motorcycle sex and heroin, turning his "hump pad" into a brothel so that she can support her habit (the editors of the paper would like to help her but the letter is signed "Anonymous", despite the fact that she introduced herself as Etta in the narration at the start of the vignette). The final story finds daddy Ottokar (Ulrich Beiger, THE GREAT ESCAPE) shocked and daughter Dina pleasantly surprised when French exchange student Niki turns out to be not a girl but a virile jock (Willy Adler). Ottokar wants to put him on the next train back to Paris, but Dina's mother (Eva Berthold, WOMEN IN HOSPITAL) has her way (after daddy pushes an armoire in front of the connecting passage between the youths' bedrooms. Dina tries to get Niki to notice her, and had to significantly step up her game when classmate "Betty the Beast" (Margitta Hofer) makes a play for him. 

Directors: Walter Boos.
Cast: Willy Adler, Sascha Atzenbeck, Ulrich Beiger, Eva Berthold, Marianne Dupont, Johanna Ebertseder, Sylvia Engelmann, Gudrun Grau, Wolf Harnisch, Margitta Hofer, Michel Jacot, Hans J. Jung, Wolfgang Jung, Karin Kernke, Roswitha Krey, Ginny Noack, Helena Rosenkranz, Claus Tinney, Elisabeth Welz, Stefan Wiesehöfer
West Germany, 1978.
Language: German, Russian.

Format : MKV / 720x480

Duration : 1h 18 min
File Size : 2,26 GB  

Download Schulmädchen-Report 12. Junge Mädchen brauchen Liebe. / Schoolgirl Report 12. If Mom Only Knew. 1978.

 

Schulmädchen-Report 11. Teil - Probieren geht über Studieren. / Schoolgirl Report 11. Trying Beats Studying. 1977.

DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.

Schulmädchen-Report 11. Teil - Probieren geht über Studieren. / Schoolgirl Report 11. Trying Beats Studying. 1977.
DE. Das Jugendschutzgesetz ist Thema einer heißen Debatte im Studio des Funkhauses. Eine Hausfrau, eine Jugendpsychologin, ein Oberstudiendirektor und ein Kriminalkommissar diskutieren anhand konkreter Fälle, z.B. dem Selbstmord einer "Nachhilfeschülerin", der überreizten sexuellen Fantasie einer jungen Klägerin, den Startschwierigkeiten zweier Mädchen beim Versuch, sexuelle Erfahrungen zu sammeln, oder der heiteren Geschichte einer 18-Jährigen, deren Freundinnen ihr helfen wollen, ihre Jungfräulichkeit zu verlieren. 
EN. The frame story of the eleventh installment of the series is a radio show in which the host (Hellmuth Haupt, SWINGING WIVES) asks his panel – police inspector Jenkel (Ulrich Beiger, THE GREAT ESCAPE), social worker Dr. Hammacher (Astrid Boner, VANESSA), "humanist school principal" Dr. Wolters (Peter Böhlke, TOTO THE HERO), and housewife Thea Berthold (Linda Caroll, DOORWAY TO SUSPICION) – if current laws to protect youth are too liberal and in need of reform. Jenkel takes the conservative position with his story of seventeen-year-old Martina whose school performance suffers until she gets tutelage from eighteen-year-old Rolf who demands payment in sex. Things take a turn more tragic than failed classes when he tires of her. Hammacher offers up a counter example in Regina (Jess Franco favorite Karine Gambier) who accuses her tutor of rape in a he-said-she-said account already used in the previous installment of the series (although this one has a more humorous ending). During a cigarette break, recording assistant Gila provides a refreshing anecdote about her first time to demonstrate that some youths are all bluff when it comes to their supposed jaded carnal knowledge: a foursome with friend Gabi (Alexandra Bogojevic, SALON KITTY), "stud" Hansi and his nerdy friend Traugott (Claus Obalski, SCHOOLGIRL REPORT #10) in a barn with rickety floorboards and precariously-stored cans of paint. When the host asks about the influence of pornography, Principle Wolters offers up an example about the dangers of repression in loner Michaela whose grades have suffered since she has been caring for her ailing mother. Her lack of street smarts gets her roped into sexual exploitation by a gang of bikers. Housewife Thea, on the other hand, discusses the rush of young people to lose their virginity, including her daughter Susi (series regular Sandra Atia) whose friend Ulla gives her birth control pills for her eighteenth birthday and then locks her in a room with her cousin Achim (Heiner Lauterbach, LOVE CAMP) until they do the deed.
The eleventh installment is really more of the same with the writers struggling more and more to find themes of social significance on which to hang vignettes before petering out with the last story and no real closure other than a brief summing up narration. It does improve on the last two installments, however, with more explicit sexuality rather than just plentiful nudity, as well as some visual inventiveness. Those already invested in the series will want to grab this one, while newbies might start here just as easily as with any of the other installments.

Directors: Ernst Hofbauer.
Cast: Karine Gambier, Helga Anders, Sandra Atia, Ulrich Beiger, Alexandra Bogojevic, Astrid Boner, Peter Böhlke, Kurt Bülau, Linda Caroll, Rolf Castell, Elke Deuringer, Marianne Dupont, Josef Fröhlich, Hellmuth Haupt, Jane Iwanoff, Rolf Kochenhofer, Heiner Lauterbach, Wolfgang Müller, Claus Obalski, Hasso Preiß, Rudi Sandmayr, Claus Tinney, Hans von Borsody, Margit Weinert, Gert Wiedenhofen
West Germany, 1977.
Language: German, Russian.

Format : MKV / 720x480

Duration : 1h 17 min
File Size : 2,26 GB 

Download Schulmädchen-Report 11. Teil - Probieren geht über Studieren. / Schoolgirl Report 11. Trying Beats Studying. 1977.

 

Schulmädchen-Report 10. Teil - Irgendwann fängt jede an. / Schoolgirl Report 10. Every Girl Starts Sometime. 1976.

DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.

Schulmädchen-Report 10. Teil - Irgendwann fängt jede an. / Schoolgirl Report 10. Every Girl Starts Sometime. 1976.
DE. Beim Unterricht ihrer 16- bis 18-jährigen Schülerinnen beweist eine ältere Lehrerin viel Humor. Thema der Stunden sind die Regeln, auf die das gesellschaftliche Verhalten aufgebaut ist, wie Recht, Gesetz, Brauch, Sitte und Moral. Anhand von fünf delikaten Erlebnissen wird jedes dieser Prinzipien ausführlich veranschaulicht: Der Nachhilfelehrer, das triebhafte Mädchen, das Miststück, der Exorzist und das Doppelleben - eine informative, teils dramatische, lustige und vor allem anregende Mischung.
EN. Inga doesn’t so much relate her story as zone out and recollect her quest to lose her virginity and experience sexual satisfaction after the handsome brother (Heinz Gerstl, BOTTOMS UP) of her schoolmate rejects her because he doesn’t do virgins. Her journey takes her into a series of encounters with disco hookups, bikers, and total strangers. Sophomore Kathy Dietz is no innocent. Sick of her not-much-older stepmother Angelika (Karin Lorson, THE SENSUOUS HOUSEWIFE) monopolizing her father (Günther Kieslich, BETWEEN THE COVERS), she promises to sleep with artist Frank if he seduces her stepmother first so that she can provide her father with photographic evidence; however, things don’t go exactly as planned. Young Seffi (Alexandra Bogojevic, SALON KITTY) manages to miss her bus and her class while she and her boyfriend Karli (Peter Hamm, BLOODLUST) try to steal a few moments of privacy away from the prying eyes of her mother (Ursula Reit, NAUGHTY NYMPHS) and her protective uncle (Willy Schultes, LOVE BAVARIAN STYLE). Karli hits upon an idea when his boss (Edgar Wenzel, TEENAGE GAMES) loans him his copy of William Peter Blatty’s THE EXORCIST: Seffi is to pretend to be possessed and Karli will show up disguised as a monk to exorcise her! The final story is that of Iris (Gina Janssen, HELLHOLE WOMEN) – the student most adamant that the government should stay out of private affairs – who has been having a relationship with supposedly single “sugar daddy” managing director Walter (Paul Glawion, I DEAL IN DANGER). No sooner is she confronted by Walter’s wife (Astrid Jacob) – more angry that Iris has been seen in public with her husband than about the affair itself – than Walter’s nephew (Claus Tinney, BED CAREER) hoping to take his place in her bed. #10 is rather refreshing after part nine which was a bit of slog. The framing philosophical question of this installment still is only tangentially related to the episodes, and none of them actually provoke any deeper discussion; but they move at a nice clip. There’s really more nudity than actual sex here, but seasoned viewers of the series will know what to expect (newbies might be disappointed however). The longest segment of the film, THE EXORCIST parody is the funniest of the comic episodes, of which there are fewer here than usual (series director Walter Boos had already tacked an EXORCIST rip-off in 1974 with MAGDALENA, POSSESSED BY THE DEVIL). Bogojevic may not be the hottest-looking actress in the film, but she’s hilarious as she tries out her possession faces and voices to bewildered strangers on the way home before letting loose at home (as something like a cross between an obscene Larry Fine and Lucille Ball). With the exception of the EXORCIST episode, the other stories could all have been fleshed out to feature length (with equal additional helpings of plot and sex). Part ten might not be the best place to start, while it will be a must-buy for collectors of the series. 
Directors: Walter Boos.
Cast: Eva Berthold, Alexandra Bogojevic, Astrid Boner, Reiner Brönneke, Siggi Buchner, Marianne Dupont, Walter Feuchtenberg, Heinz Gerstl, Paul Glawion, Max Grießer, Joachim Hackethal, Peter Hamm, Astrid Jacob, Gina Janssen, Yvonne Kerstin, Günther Kieslich, Carina Kreisch, Carl-Heinz Kühn, Heiner Lauterbach, Karin Lorson, Bärbel Markus, Ingeborg Moosholzer, Claus Obalski, Ursula Reit, Willy Schultes, Anke Syring, Claus Tinney, Annemarie Wendl, Edgar Wenzel
West Germany, 1976.
Language: German, Russian.
Format : MKV / 720x448

Duration : 1h 17 min
File Size : 2,26 GB
Download Schulmädchen-Report 10. Teil - Irgendwann fängt jede an. / Schoolgirl Report 10. Every Girl Starts Sometime. 1976.

 

Schulmädchen-Report 9. Reifeprüfung vor dem Abitur. / Schoolgirl Report Part 9. Mature Before Graduation. 1975.

DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.

Schulmädchen-Report 9. Reifeprüfung vor dem Abitur. / Schoolgirl Report Part 9. Mature Before Graduation. 1975.
DE. Schulmädchen vor dem Abitur - Laut Gesetz sind sie mündig, aber trotz ihrer körperlichen Reife können sowohl unschuldige wie erfahrene junge Frauen in große Schwierigkeiten geraten. Der 9. Schulmädchen-Report enthüllt den teilweise grotesken Übergang von jugendlicher Rebellion zu Verantwortung. Sechs verschiedene Geschichten offenbaren zarte Bekenntnisse und sensationelle Enthüllungen, die die Wünsche und Probleme junger Erwachsener auf den Punkt bringen.
EN. An accident involving two cars lands twelve teenagers in the hospital.  Police officer and his colleague analyze the kids’ statements to determine how they all came to be at the drunken orgy that preceded the smash-up. Eighteen-year-old student Petra (Gina Janssen, SADOMANIA) shocked her parents by marrying mechanic boyfriend Horst (Dagobert Walter, THE SENSUOUS HOUSEWIFE). After  a honeymoon, Petra quickly discovers that married life is no fairytale. Horst’s late hours interfere with Petra’s romantic plans, and Petra’s schoolwork keeps her from partying with Horst’s beer-guzzling friends (Horst also resents the fact that she has stayed in school and believes she wants to be better than him). Schoolmate Tessy is ashamed that she is still a virgin, so she decides to attend an orgy given by Lilo (series regular Puppa Armbruster, CAMPUS PUSSYCATS) to lose her virginity. Elke (Uschi Karnat, INSATIABLE JANINE) fills in the blanks by relating to the doctor the story of how Susanne’s stepfather (Claus Tinney, NURSES REPORT) blackmailed his stepdaughter into sex after catching the two of them in the middle of some lesbian experimentation and got the girl pregnant and in need of an abortion.  Another on the critical list is Achim, and pretty Claudia (Marianne Dupont, Joseph Sarno’s BIBI) believes he would not have gone to the party had she not rejected his sexual advances (owing to her trauma involving a flasher with a giant strap-on). The vignette of Katja’s parents realizing that their girl isn’t a child anymore and attempting – however comically – to engage with her on her level is simultaneously funny and poignant. 

Directors: Walter Boos.
Cast: Uschi Karnat, Puppa Armbruster, Sandra Atia, Ulrich Beiger, Astrid Boner, Siggi Buchner, Kurt Bülau, Marianne Dupont, Florian Endlicher, Jürgen Feindt, Walter Feuchtenberg, Peter Hahn, Angelika Hefner, Gina Janssen, Carina Kreisch, Ruth Küllenberg, Heiner Lauterbach, Eva Leuze, Rosl Mayr, Claus Obalski, Ursula Reit, Ursula Maria Schaefer, Werner Singh, Uli Steigberg, Christine Szenetra, Claus Tinney, Dagobert Walter, Elisabeth Welz
West Germany, 1975.
Language: German, Russian.

Format : MKV / 720x448

Duration : 1h 27 min
File Size : 2,28 GB 

Download Schulmädchen-Report 9. Reifeprüfung vor dem Abitur. / Schoolgirl Report Part 9. Mature Before Graduation. 1975.

 

Schulmädchen-Report 8. Teil - Was Eltern nie erfahren dürfen. / Schoolgirl Report Part 8. What Parents Must Never Know. 1974.

 

DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.
Schulmädchen-Report 8. Teil - Was Eltern nie erfahren dürfen. / Schoolgirl Report Part 8. What Parents Must Never Know. 1974.
DE. Die Schülerinnen einer Abiturklasse machen einen Ausflug in ein Landschulheim. Während sie auf der Busfahrt nur von ihren sexuellen Erlebnissen erzählen, geht es nach ihrer Ankunft in der grünen Natur darum, ganz reale Erfahrungen zu sammeln.
EN. A gaggle of horny German schoolgirls board a bus with their chiding spinster teacher Miss Maurer (Lis Kertelge) and hunky new biology teacher Mr. Steinbach (Claus Tinney, DEATH AND DIAMONDS) for a two-week stay at a country hostel. Evi (Puppa Armbruster, THE SENSUOUS HOUSEWIFE) would like to get Herr Steinbach “back on the breast” but that will have to wait until they get to the hostel. In the meantime, the student body has plenty of fleshy experiences to share amongst them: Gisela (Christine Szenetra, SCHOOLGIRL REPORT 9) tells of how she seduced chronically-masturbating apprentice gardener Rolf (Werner Singh, SUPERGIRLS FOR LOVE). Jutta (Sandra Atia) and Evi reveal how they schemed to get stud Hans (Jürgen Schilling, BOTTOMS UP) beneath the covers with their frumpy biology teacher Miss Eberhardt (Elke Deuringer, SORRY WRONG BEDROOM). Gaby (Marianne Dupont, SEX SERVICE) and her cousin Uschi (Marisa Feldy, SHE DEVILS OF THE SS) have their clothes stolen by a horny fisherman while skinny-dipping. Susanne (Yvonne Dwyer) seduces her father’s boss so that he could keep his job. On a more somber note, Annette confides her pregnancy to her friends, as well as her plans to meet up with boyfriend Jurgen (Eduard Meisel, HAS ANYBODY SEEN MY PANTS?) during the trip. Evi makes a move on Steinbach and is spurned; but her jealousy over seeing him with another student threatens to reveal all of "what parents must never know".

Directors: Ernst Hofbauer.
Cast: Wolf Ackva, Puppa Armbruster, Sandra Atia, Astrid Boner, Rolf Castell, Elke Deuringer, Marianne Dupont, Yvonne Dwyer, Jürgen Feindt, Marisa Feldy, Roswitha Geuther, Joachim Hackethal, Carlamaria Heim, Lis Kertelge, Carina Kreisch, Carl-Heinz Kühn, Eduard Meisel, Jörg Nagel, Jürgen Schilling, Gisela Schwartz, Werner Singh, Christine Szenetra, Claus Tinney
West Germany, 1974.
Language: German, Russian.

Format : MKV / 720x448

Duration : 1h 23 min
File Size : 2,28 GB 

Download Schulmädchen-Report 8. Teil - Was Eltern nie erfahren dürfen. / Schoolgirl Report Part 8. What Parents Must Never Know. 1974.

 

 

Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein. / Schoolgirl Report 7. What The Heart Must Thereby. 1974.

 

DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.

Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein. / Schoolgirl Report 7. What The Heart Must Thereby. 1974.
DE. Bei einer Jugendgerichtsverhandlung kommen erneut die dramatischen, zum Teil aber auch erheiternden Sexabenteuer blutjunger Mädchen ans Licht: Sei es in einem "Primanerinnen- Bordell", als Verführerinnen liebestoller Südländer, als enttäuschte Verehrerinnen ihrer Lehrer oder als schnell eroberte Opfer routinierter Lebemänner - bei den Schulmädchen wird es nie langweilig. Zum Glück erweist sich die erfahrene Richterin als sehr verständnisvoll. Kritik: Dieser Teil der Serie mußte angeblich produziert werden, weil wir heute reif genug sind, um auch schwere Fälle unserer Schulmädchen zu diskutieren", so der Vorspann. Danach werden in eine Gerichtsverhandlung verfängliche bis kriminelle Abenteuer von Schulmädchen eingeblendet.
EN. A bunch of lovely teenage schoolgirls work at a secret brothel where they have sex with high paying older men. After the girls all get arrested for prostitution, several of them discuss how they wound up working at said brothel: Helga gets guys to do her homework in exchange for sex, an ice cream parlor waiter promises three gals free ice cream if they all have sex with him, enticing hitchhiker Monika lures men to a remote barn so she can rob them of their money, brainy virgin Karla convinces her father's business partner to deflower her, an uptight Prussian teacher encounters rowdy Bavarian students in his classroom, and smitten student Gaby pretends to be her mother so she can make love to a teacher she has a crush on.

Directors: Ernst Hofbauer.
Cast: Alfred Acktun, Puppa Armbruster, Hans Bergmann, Ulrike Butz, Johannes Buzalski, Peter Böhlke, Marianne Dupont, Felix Franchy, Josef Fröhlich, Roswitha Geuther, Leopold Gmeinwieser, Peter Hamm, Jane Iwanoff, Sonja Jeannine, Günther Kieslich, Carina Kreisch, Margot Mahler, Rosl Mayr, Klaus Münster, Deborah Ralls, Helena Rosenkranz, Gisela Schwartz, Manfred Spies, Rinaldo Talamonti, Claus Tinney, Elisabeth Welz
West Germany, 1974.
Language: German, Russian.

Format : MKV / 720x448

Duration : 1h 28 min
File Size : 2,28 GB

Download Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein. / Schoolgirl Report 7. What The Heart Must Thereby. 1974.

 

Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein. / Schoolgirl Report 7. What The Heart Must Thereby. 1974.